Gear that actually works together.
Every kit here is a whole signal chain — what plugs into what, which cable, which port, and what breaks if you get it wrong. Thirty years of building broadcast and enterprise AV systems, pointed at the room you are actually shooting in.
Three tiers, one upgrade path.
Each tier is specified so the expensive parts survive into the next one. You should never buy twice.
Entry Build
One camera, one voice, two clean USB paths that never share a wire.
Open the build →Tier 02Mid Build
Two cameras, two voices, switched in software with a local audio safety net.
Open the build →Tier 03Pro Build
Three cameras over SDI into an ATEM, ISO-recorded, streamed.
Open the build →Reviews tell you what to buy
They rarely tell you what it plugs into. Half the gear returned by first-time creators works perfectly — it just does not talk to the other thing they bought.
The failure is always the same
Power, clocking, cable length, and where audio meets video. Four things. They account for nearly every build that never gets used.
Buy once, upgrade sideways
Every tier lists exactly what carries forward and what is a dead end, so the entry kit is a foundation instead of a write-off.
The full spec sheet, as a PDF.
Every part number, every cable length, the wiring diagram, and the settings that actually matter — in a document you can take to the shop.
Forty-five minutes on your actual room.
Bring your space, your budget and what you already own. You leave with a specified build and a wiring plan. If a kit on this site already fits, I will tell you that instead.
Booking endpoint not wired up yet.